This tee made a famous cameo in the cover photograph of Bob Dylan’s Highway 61 Revisited (1965), in which Dylan wears a Triumph tee under a blue and purple silk shirt, holding his Ray-Ban sunglasses in his right hand.He named the album after the major American highway that connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. In his memoir Chronicles: Volume One, Dylan described the kinship he felt with the route: "Highway 61, the main thoroughfare of the country blues, begins about where I began. I always felt like I'd started on it, always had been on it and could go anywhere, even down into the deep Delta country. It was the same road, full of the same contradictions, the same one-horse towns, the same spiritual ancestors ... It was my place in the universe, always felt like it was in my blood."
Triumph tee, c. 1960s
450 USD
This tee made a famous cameo in the cover photograph of Bob Dylan’s Highway 61 Revisited (1965), in which Dylan wears a Triumph tee under a blue and purple silk shirt, holding his Ray-Ban sunglasses in his right hand.He named the album after the major American highway that connected his birthplace of Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. In his memoir Chronicles: Volume One, Dylan described the kinship he felt with the route: "Highway 61, the main thoroughfare of the country blues, begins about where I began. I always felt like I'd started on it, always had been on it and could go anywhere, even down into the deep Delta country. It was the same road, full of the same contradictions, the same one-horse towns, the same spiritual ancestors ... It was my place in the universe, always felt like it was in my blood."
A vintage tee produced in the early 1960s by Triumph Motorcycles, an iconic British motoring brand with a rich history of speed, style, and cultural influence.
Tubular Knit
Dimensions: 19” chest, 27” height
Dealan
In 1965, Bob Dylan did more than go electric—he detonated a cultural shift. From the smoke-filled hotel rooms of London to the charged stage at Newport, he carried himself with a volatile mix of bravado, wit, and vision, his words arriving like sparks from a live wire. Captured in D.A. Pennebaker’s 1967 documentary “Don’t Look Back,” Dylan is by turns mercurial and magnetic, alternately jousting with hangers-on and silencing a room with “It’s All Over Now, Baby Blue.” What unfolded in that white-hot year was a break with the past so total that it redrew the future…
As we mark ten years of Jacques Marie Mage, we return to where it all began: the nascent sparks, the first bold forms, the foundational silhouettes that set our course. With Origins, the inaugural offering from Réserve by JMM, we invite you to rediscover the earliest expressions of our ethos—limited-edition spectacles from the first season of the Circa Collection, which consisted of exactly four styles: the Dealan, Zephirin, Hatfield, And Fountainebleau.
Each Reserve collectible is thoughtfully custom-packaged to Jacques Marie Mage standards, with tailored care to each artifact. Each collectible is accompanied by a JMM Certificate of Authenticity and ID card.
