A celebrated Ferrari drawn with a light hand, this signed lithograph by Hideki Yoshida presents the 250 GTO in fine red line, its voluptuous body seen from above. The long bonnet and compact cabin give the composition its unmistakable proportions, rendered with the affectionate precision of an artist who spent his life looking at cars.
Born in Kyoto and trained in textile design, Yoshida worked in fashion in Milan and Paris while his fascination with automobiles gradually took over his painting. His sensitivity to surface found ample pleasure in coachwork, where light could ripple across a fender or unravel along a polished flank.
Here, his subject is chassis 3757, the Écurie Francorchamps Ferrari that placed third at Le Mans in 1962. The team and drivers’ names run beneath the drawing, anchoring its delicate contours to the hard business of endurance racing. Yoshida gives those purposeful proportions room to breathe on the pale sheet, lingering over the small openings in the nose and the generous swell of the body as though tracing a car he knows by touch.
Maitre hideki yoshida litograph
AVAILABLE IN
1 COLOR
1,500 USD
A celebrated Ferrari drawn with a light hand, this signed lithograph by Hideki Yoshida presents the 250 GTO in fine red line, its voluptuous body seen from above. The long bonnet and compact cabin give the composition its unmistakable proportions, rendered with the affectionate precision of an artist who spent his life looking at cars.
Born in Kyoto and trained in textile design, Yoshida worked in fashion in Milan and Paris while his fascination with automobiles gradually took over his painting. His sensitivity to surface found ample pleasure in coachwork, where light could ripple across a fender or unravel along a polished flank.
Here, his subject is chassis 3757, the Écurie Francorchamps Ferrari that placed third at Le Mans in 1962. The team and drivers’ names run beneath the drawing, anchoring its delicate contours to the hard business of endurance racing. Yoshida gives those purposeful proportions room to breathe on the pale sheet, lingering over the small openings in the nose and the generous swell of the body as though tracing a car he knows by touch.
Signed Hideki Yoshida lithograph of Ferrari 250 GTO chassis 3757, raced by Écurie Francorchamps, rendered in fine red line from above. Numbered 105/199; 38 × 56 cm.
Measurements
Dimensions: 38 × 56 cm.
Each Reserve collectible is thoughtfully custom-packaged to Jacques Marie Mage standards, with tailored care to each artifact. Each collectible is accompanied by a JMM Certificate of Authenticity and ID card.
