Night magazine, vol. 1#2, october 1978

450 USD

The second issue of NIGHT Magazine, published in October 1978, continues Anton Perich’s photographic documentation of New York’s late-1970s cultural underground.

Comprising 22 pages printed on unbound matte broadsheet, the issue presents a sequence of images featuring figures such as Mick and Bianca Jagger, boxer Joe Frazier, and Denise Hayes, subjects drawn from the overlapping worlds of nightlife, sport, and society.

Produced by Perich as publisher, editor, and lead photographer, NIGHT distinguishes itself through its emphasis on image and scale. Inspired by Warhol’s Interview but more singular in execution, the publication prioritizes photographic content, using oversized pages and high-quality white stock to reinforce its presence as both document and object.

As part of the magazine’s inaugural volume, this issue extends the visual record of a period defined by proximity—between artist and subject, observer and participant—captured in real time by one of its primary chroniclers.

NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978

Night magazine, vol. 1#2, october 1978

450 USD

The second issue of NIGHT Magazine, published in October 1978, continues Anton Perich’s photographic documentation of New York’s late-1970s cultural underground.

Comprising 22 pages printed on unbound matte broadsheet, the issue presents a sequence of images featuring figures such as Mick and Bianca Jagger, boxer Joe Frazier, and Denise Hayes, subjects drawn from the overlapping worlds of nightlife, sport, and society.

Produced by Perich as publisher, editor, and lead photographer, NIGHT distinguishes itself through its emphasis on image and scale. Inspired by Warhol’s Interview but more singular in execution, the publication prioritizes photographic content, using oversized pages and high-quality white stock to reinforce its presence as both document and object.

As part of the magazine’s inaugural volume, this issue extends the visual record of a period defined by proximity—between artist and subject, observer and participant—captured in real time by one of its primary chroniclers.

NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978
Volume 1 issue #2 of Anton Perich’s NIGHT Magazine, October 1978, features 22 pages of photography printed on unbound matte broadsheet, featuring Mick and Bianca Jagger, boxer Joe Frazer and Denise Hayes. Anton Perich, the publisher, editor and lead photographer of NIGHT, is also known as a video pioneer and painter.
NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978 NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978 NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978 NIGHT MAGAZINE, VOL. 1#2, OCTOBER 1978

Measurements

  • Dimensions: NIGHT is an oversized publication, measuring 16.5 x 21 inches, approximately the size of a newspaper.

MORE THAN THE IMAGE

Amid the flash and frenzy of late-’70s nightlife, Bianca Jagger emerged as an icon, her image immortalized in moments of glamour, her presence radiating through the mirrored excess of Studio 54 and beyond. But what endured was not the spectacle alone. Behind the photographs was a figure of intellect and intention, whose life would extend far beyond the velvet rope, shaped by activism, advocacy, and an unwavering commitment to justice that proved the image was only ever the beginning.

Read More

THE SUPER SEVENTIES

If Origins marked a return to first principles, our second curated collection of archival gems turns toward a moment of pure release, an era when form gave way to feeling and spectacle became a way of life. With this second offering from Réserve, we step into the charged atmosphere of late-1970s New York, where the boundaries between nightlife, art, music, and cinema dissolved into a single, shimmering continuum.

At the center of it all stood Studio 54, the legendary nightclub that for a brief and incandescent period, became both sanctuary and stage: a place where identities were invented, hierarchies unraveled, and excess became a work of art. Beneath its velvet rope, a new mythology took shape defined by glamour and abandon, exclusivity and iconography.

The Super Seventies draws from this fevered convergence, assembling a tightly edited offering of rare spectacles that embody the era’s sense of elegance, irreverence, and provocation. These are objects shaped by a cultural moment where disco met downtown, fashion became performance, and the night offered myriad ways of escape.

Anchored by styles that channel the personalities and provocations of Studio 54 and its orbit—from Bianca Jagger’s commanding presence to the electric pulse of the dance floor itself—this collection captures a time when seeing and being seen were acts of equal consequence. Here, the archive does not simply remember, it revels…

Each Reserve collectible is thoughtfully custom-packaged to Jacques Marie Mage standards, with tailored care to each artifact. Each collectible is accompanied by a JMM Certificate of Authenticity and ID card.