Bowie & mayfield — icons, 1972

200 USD

Bringing together two defining records of the 1970s, this pairing reflects distinct but parallel expressions of the decade’s musical and cultural landscape.

David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars captures a constructed persona at its peak—where music, identity, and image merge into a singular narrative. Released in 1972, the album remains one of the most influential statements of the glam era.

In contrast, Curtis Mayfield’s Super Fly (1972), composed as the soundtrack to the film of the same name, offers a grounded and socially charged perspective. Blending soul, funk, and commentary, it stands as one of the defining soundtracks of its time.

Presented together, the two records trace the breadth of the decade—from staged mythology to lived reality.

BOWIE & MAYFIELD — ICONS, 1972

Bowie & mayfield — icons, 1972

200 USD

Bringing together two defining records of the 1970s, this pairing reflects distinct but parallel expressions of the decade’s musical and cultural landscape.

David Bowie’s The Rise and Fall of Ziggy Stardust and the Spiders from Mars captures a constructed persona at its peak—where music, identity, and image merge into a singular narrative. Released in 1972, the album remains one of the most influential statements of the glam era.

In contrast, Curtis Mayfield’s Super Fly (1972), composed as the soundtrack to the film of the same name, offers a grounded and socially charged perspective. Blending soul, funk, and commentary, it stands as one of the defining soundtracks of its time.

Presented together, the two records trace the breadth of the decade—from staged mythology to lived reality.

BOWIE & MAYFIELD — ICONS, 1972
Vinyl LPs. David Bowie, Ziggy Stardust, 1972. Curtis Mayfield, Super Fly, 1972
BOWIE & MAYFIELD — ICONS, 1972 BOWIE & MAYFIELD — ICONS, 1972 BOWIE & MAYFIELD — ICONS, 1972 BOWIE & MAYFIELD — ICONS, 1972

NOVA

The 1970s was an era of excitement and change, a decade of restless invention and cultural velocity, during which there was an explosion of musical forms, film genres, and fashion trends that spanned cultures and continents, from New York to Paris, Marrakech to Melbourne; a time when influence began traveling faster and style became a shared global language, culminating in what we now call the Super Seventies.

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THE SUPER SEVENTIES

If Origins marked a return to first principles, our second curated collection of archival gems turns toward a moment of pure release, an era when form gave way to feeling and spectacle became a way of life. With this second offering from Réserve, we step into the charged atmosphere of late-1970s New York, where the boundaries between nightlife, art, music, and cinema dissolved into a single, shimmering continuum.

At the center of it all stood Studio 54, the legendary nightclub that for a brief and incandescent period, became both sanctuary and stage: a place where identities were invented, hierarchies unraveled, and excess became a work of art. Beneath its velvet rope, a new mythology took shape defined by glamour and abandon, exclusivity and iconography.

The Super Seventies draws from this fevered convergence, assembling a tightly edited offering of rare spectacles that embody the era’s sense of elegance, irreverence, and provocation. These are objects shaped by a cultural moment where disco met downtown, fashion became performance, and the night offered myriad ways of escape.

Anchored by styles that channel the personalities and provocations of Studio 54 and its orbit—from Bianca Jagger’s commanding presence to the electric pulse of the dance floor itself—this collection captures a time when seeing and being seen were acts of equal consequence. Here, the archive does not simply remember, it revels…

Each Reserve collectible is thoughtfully custom-packaged to Jacques Marie Mage standards, with tailored care to each artifact. Each collectible is accompanied by a JMM Certificate of Authenticity and ID card.