Night magazine, vol. 1#1, september 1978

550 USD

The inaugural issue of NIGHT Magazine, published in September 1978 as a Studio 54 Special, documents the club at its height through the lens of Anton Perich—its publisher, editor, and sole photographer.

Presented in an oversized broadsheet format, the issue emphasizes image over text, capturing a cross-section of the era’s cultural figures moving between music, fashion, and society. The cover, featuring Rod Stewart and Alana Hamilton, introduces a cast that includes Patti Hansen and Huntington Hartford, reflecting the publication’s close proximity to its subjects.

Originally distributed through Fiorucci, NIGHT distinguished itself from contemporaries by prioritizing photographic content and scale, printing on large-format white stock, positioning itself as both a publication and a physical artifact.

Signed by Perich on the front cover, this first issue carries the direct imprint of its maker, offering an authentic record of a moment when nightlife, image, and identity converged in late-1970s New York.

NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978

Night magazine, vol. 1#1, september 1978

550 USD

The inaugural issue of NIGHT Magazine, published in September 1978 as a Studio 54 Special, documents the club at its height through the lens of Anton Perich—its publisher, editor, and sole photographer.

Presented in an oversized broadsheet format, the issue emphasizes image over text, capturing a cross-section of the era’s cultural figures moving between music, fashion, and society. The cover, featuring Rod Stewart and Alana Hamilton, introduces a cast that includes Patti Hansen and Huntington Hartford, reflecting the publication’s close proximity to its subjects.

Originally distributed through Fiorucci, NIGHT distinguished itself from contemporaries by prioritizing photographic content and scale, printing on large-format white stock, positioning itself as both a publication and a physical artifact.

Signed by Perich on the front cover, this first issue carries the direct imprint of its maker, offering an authentic record of a moment when nightlife, image, and identity converged in late-1970s New York.

NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978
Volume 1, issue #2 of Anton Perich’s NIGHT Magazine, October 1978, is a Studio 54 Special, presenting 14 pages of photography printed on unbound matte broadsheet that documentss some of the clubs luminous patrons, including cover feastures Rod Stewart and Alana Hamilton, Patti Hansen, and Huntington Hartford.
NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978 NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978 NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978 NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978 NIGHT MAGAZINE, VOL. 1#1, SEPTEMBER 1978

REMEMBERING STUDIO 54

Amid the madness of late-‘70s New York, a spark had emerged, soaring through the sky like a comet until it burned to dust. Studio 54, the most legendary nightclub ever known, was founded by college buddies Steve Rubell and Ian Schrager, who transformed a former midtown TV studio into a pleasure palace for the senses that took the Warholian ideal of celebrity to new heights, where everyone was a star in their own right.

Read More

THE SUPER SEVENTIES

If Origins marked a return to first principles, our second curated collection of archival gems turns toward a moment of pure release, an era when form gave way to feeling and spectacle became a way of life. With this second offering from Réserve, we step into the charged atmosphere of late-1970s New York, where the boundaries between nightlife, art, music, and cinema dissolved into a single, shimmering continuum.

At the center of it all stood Studio 54, the legendary nightclub that for a brief and incandescent period, became both sanctuary and stage: a place where identities were invented, hierarchies unraveled, and excess became a work of art. Beneath its velvet rope, a new mythology took shape defined by glamour and abandon, exclusivity and iconography.

The Super Seventies draws from this fevered convergence, assembling a tightly edited offering of rare spectacles that embody the era’s sense of elegance, irreverence, and provocation. These are objects shaped by a cultural moment where disco met downtown, fashion became performance, and the night offered myriad ways of escape.

Anchored by styles that channel the personalities and provocations of Studio 54 and its orbit—from Bianca Jagger’s commanding presence to the electric pulse of the dance floor itself—this collection captures a time when seeing and being seen were acts of equal consequence. Here, the archive does not simply remember, it revels…

Each Reserve collectible is thoughtfully custom-packaged to Jacques Marie Mage standards, with tailored care to each artifact. Each collectible is accompanied by a JMM Certificate of Authenticity and ID card.